Posts Tagged Hollywood
July Movie Primer
Posted by David in Commentary on July 1, 2009
What comes out when, and do you care?
Alright, I didn’t do one of these for June. Upgrading the website plus a really uninteresting collection of films, and I never could get the energy up for writing a primer.
It would have roughly said this: What’s with the art films? Moon, Whatever Works, Food Inc, Away We Go. Pelham is going to infuriate me (it did) and The Hangover might be worth it (it was) and the rest can go DTV for all I care. As much as I loved The Transformers 20 years ago, the first movie was lame and the robots looked like they were assembled pre-crushed from the junkyard (Ebert said it better “a junkyard threw up”)
May was apparently the only month for movies this Summer. After Harry Potter rolls out on the 17th, all that’s left is the Fall schedule where studios unload their dreck in preparation for Christmas. Also, doesn’t it seem like a lot of Christmas-type movies came out this Summer? Angels and Demons, Whatever Works, Harry Potter, Public Enemies, even Imagine That… Something is afoot in marketing and distribution!
Interestingly, check this out. This month may suck, but:
REMAKE/SEQUEL METER: 2/10 a new best!
JULY 3rd
Public Enemies
Disclaimer: I am a little bitter towards this movie. My lovely film-professional girlfriend and I lived in Wisconsin until last Spring, at which point we moved to New York for more work. Public Enemies shows up and immediately hires like everyone in the state of WI on the production, giving them all a great credit while we compete against a million other people for the ten jobs here in Gotham. As an addition to the story, I originally come from a small town in central Illinois (Decatur) where, having left to go to WI, both Soderburgh’s The Informant and Spielberg’s Lincoln biopic set their production.
Sour grapes aside I like and trust Michael Mann (though I feel he can be a sloppy writer) and would be looking forward to this much more if it weren’t for the fact that the entire marketing campaign seems to be showing you tommy guns as much as possible. “Do you like tommy guns? Come see Public Enemies, starring Johnny Depp! (and Christian Bale) More tommy guns than any other Summer release!”
Ice Age: Dawn of the Dinosaurs
In a world of with Pixar, the Shrek franchise, Madagascar, it’s always seemed like Ice Age was the inferior market exploitation product. For this reason, I really can’t believe there have only been three Ice Age movies. I feel like Ice Age has always been there, the generic and low-rent alternative to CG with style and writers. This one? More of the same. Enjoy! Also, even if we grant him the cartoon ability to fall off cliffs, get crushed by boulders and blow himself up with ACME rockets, Scrat should have starved to death long-ago.
JULY 10th
Bruno
I like the mix of scripted segments and documentary scenes, and even the in-character events too. Cohen’s characters are always more art projects than simply movies, but let’s face the facts: You already know whether you’re going to like it. I’m surprised by how many fratties still say ‘Niiiice’ three years later. Man, has it already been three years?
I Love You, Beth Cooper
Chris Columbus? Well, that’s weird. At least he’s mixing it up, having followed up his two child-friendly Harry Potter films with Rent (did anyone actually see Rent?). This seems very much like a director-for-hire gig. Anyway, not much to be said about horny teens having an adventure. Count the number of times in the trailer the ROTC guy would be hauled off to jail for at least the night! Apparently I Love You, Beth Cooper takes place in an anarchist state, where geeky dudes use their lovably awkward wits to deal with assault and massive damage to personal property.
July 17th
Harry Potter and the Half-Blood Prince
Yay! Finally another Big Movie! Harry Potter’s move to Summer (from last Christmas) looks brilliant up against this ridiculously poor schedule. Potter will easily dominate box office returns for at least four weeks, maybe six. The movie should herald a darker Potter (the books certainly go in that direction) and this series really should be PG13 by now, so it’s odd that we’re still looking at PG. The fans of Sorcerer’s Stone are eight full years older.
July 24th
G-Force
We have a pet guinea pig; he just wants to eat cucumbers and bite us. Think Will Arnett, Sam Rockwell and Zach Galifinakis can add sly adult comedy elements to anthropomorphic rodents? It would be nice, but this is likely a more-by-the-numbers-than-math-itself kids’ feature. Thing not to look forward to: Advances in computing power and CG software will someday reduce the budget of pictures like these to almost nothing, meaning thousands of them every year! Having watched the trailer, despite his 30-Rock greatness, Tracy Morgan stands out as being an absolutely terrible voice actor.
The Ugly Truth
At least it will lend itself to plenty of great puns about its name! The ugly truth is this: No reviewer or movie writer ever wants to really sit down with the stars of a formula will-they-won’t-they-obviously-they-will romantic comedy and talk about how they’re doing something different. I could copy/paste lorum ipsum here and you won’t care. You’ve already skipped ahead, maybe pausing for a moment because you didn’t know Gerard Butler was in it, or hadn’t heard of it altogether. Given the cute factor, I bet G-Force will even make a better date movie!
Orphan
And with this, July 24th goes down as the most embarassing three-film release day of 2009. Directors really should look more to the 1970s when they’re releasing Bad Seed knockoffs. I think ‘fog horror’ could really make a comeback, but instead psychological horror films just cribs the notes of the last ten years of startling scares. Remember Hollywood: startled doesn’t mean scared! “Who’s going to jump out at me from behind the closet door? OHMYGOD it’s a creepy little girl!”
July 31st
Funny People
Judd Apatow risks his regular audience with his ‘but seriously, folks’ moment. The more mature elements in his stuff has always gone over really well. This cast is huge and very talented (even RZA is in it!) and the movie’s trailer looks effective, successful, funny, sad, crafted! The caveat? Stand up comedy movies don’t do jack at the box office. “The ones where you try to kill Bruce Willis” might be the best line from a trailer this year.
Aliens in the Attic
Concluding July is… yet another kids’ movie! July = no school. Kids will see any old crap! Ha ha grandma is a street fighter? Ha ha the older brother is hitting himself? Crimony. Look, this site isn’t for hating everything. I want to conclude this month by saying that I wouldn’t be writing these if I didn’t like movies a lot. Seriously, each terrible blurb that goes by and month that slides into the dead season makes me more desperate to see something good. What’s the next major release I’m really looking forward to? Probably District 9. In the meantime, go find The Hurt Locker or some (any) other independent film not on this list. They need you!
Brüno: Why I Don’t Believe a Word of it
Posted by Kim in Commentary on July 16, 2009
Reality isn’t real.
Taking out the component of Brüno himself and the fact that he’s not actually gay, not actually a fashion reporter, and not actually Austrian. The rest of the movie is basically a documentary with real people, right? It’s very strange how the filmmakers expect certain story points to be taken as fictitious, and certain to be taken as cross your heart and hope to die truth without really stating which is which. It’s like Zoolander meets a Michael Moore film, she said with mild sarcasm…
America, **** YEAH!
Having worked in a lot of reality tv on both the production side and the post side, I can tell you it’s almost all a setup. Producers poke and prod, suggest, and even subtly put words in people’s mouths until they get what they want. The filmmakers have complete control over the situation. Reality movies/tv have just as many takes and retakes and “Let’s try that once more, but angrier” as fictional movies. That martial arts instructor in Brüno may have said “Homosexuals would probably come at you from behind” out of his own will, but I bet a producer set him up to answer that way. Cut the question asked a half hour ago with that answer you finally got, and blamo! Pure gold. There’s an infinite amount of manipulation of sound bites and footage in post-production. That’s what editing IS. It’s because in the end, both fictional and reality Directors are just trying to make a product that will make them money and turn out well. I’m not going to sit here and knock reality movies or tv, but I will say take the “reality” with a grain of salt.
But, maybe I’m just making all this up? No one has really talked about this before. I didn’t work on Brüno, know anyone who did, or have some special insider information. No one can talk about it because everyone involved has to sign a confidentiality agreement. We had to use code-names for the first 3 weeks of Dancing With the Stars before anyone was officially announced to be on the show. After all it’s no fun to have someone revealing the plot before the movie comes out.
Sacha Baron Cohen
But I’m not showing you what’s behind the curtain by any means. None of this is new information. We’ve all talked about how the guests on Jerry Springer are actors and how the cast of Survivor probably has a buffet at lunch because when they’re not shown eating rats and boars, they have to eat something. So why am I writing this? Well because I wanna! And I’m tired of this and Borat being hailed as brilliant. Yeah sure, an obnoxious gay stereotype showed his dick in public in Alabama and the reaction was outrage. I can’t believe it! Dang, stop giving this guy so much cred.
Mostly, I’d like to talk about it because Brüno’s sole purpose is to get a rise out of people and I find Art for Outrage to be ridiculous. It’s just “how much can we get away with?” So. What purpose does that serve? The movie is not exactly pro gay rights either. When has extreme stereotyping ever made anyone more tolerant? I can guarantee the three completely stoned fratties that sat across from me are going away from this movie with new material, not a new found respect. If they didn’t know what gay people were like before, they sure think they know now.
Saying I don’t like the movie would be fuel for the fire and just what they want me to say and I’m not being paid by Sacha Baron Cohen for this publicity! Just do like you would during a scary movie: keep telling yourself “It’s not real, it’s not real, it’s not real” and then you won’t have any nightmares.
Hollywood
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